| Helen Grime: Romance for
Violin and Piano: Violin:
Instrumental Work Violin and Piano [Sheet music] Chester
'Romance for violin and piano is a short reflective piece that exploits the lyr...(+)
'Romance for violin and piano is a short reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.'???????????? - Helen GrimeBorn in 1981 Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07 Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison Michael Gandolfi Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO London Symphony Orchestra BCMG Britten Sinfonia BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding Oliver Knussen Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Hall? from the
10.99 GBP - Sold by Musicroom UK |
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| Georg Friedrich Händel:
Water Music - Music For
The Royal Fireworks:
Organ: Harpsichord [Sheet music] - Intermediate Barenreiter
Cembalo Orgel - Flute Violine - Bc-Score with 3 parts (Flute/Oboe/Violin; Basso ...(+)
Cembalo Orgel - Flute Violine - Bc-Score with 3 parts (Flute/Oboe/Violin; Basso Continuo with figures (Cello/Bass); Basso Continuo realised with figures (Harpsichord/Organ)Musical text with arrangements by two Handel contemporaries as well as the editor’s own arrangement for Harpsichord or Organ.All editorial additions are clearly marked.Equally effective when performed note-for-note on the Organ.As early as 1743 while Handel was still alive Francesco Geminiani produced an arrangement of the Water Music for Keyboard instruments thereby making it possible to perform this popular work in domestic surroundings. Then presumably in 1749 an unknown musician arranged theMusic for the Royal Fireworks for transverse Flute or Violin and Harpsichord. In addition to these two contemporary versions this edition also contains an arrangement by the editor for Harpsichord or Organ based on the first edition. Though both early sources explicitly mention a Harpsichord the arrangements can also be performed effectively note-for-note on the Organ. As the surviving anonymous version merely places a solo part and a figured Bass on a two-stave system our edition is accompanied by performance material with one part each for transverse Flute/Oboe/Violin and Violoncello/Double Bass plus a figured Bass realisation.
40.00 GBP - Sold by Musicroom UK |
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| Quartet in C minor, arr.
from Concerto for violin
andamp; oboe (BACH JOHANN
SEBASTIAN) String Quartet: 2 violins, viola,
cello [Sheet music] SJ Music
Par BACH JOHANN SEBASTIAN. Bach would almost certainly have approved of this str...(+)
Par BACH JOHANN SEBASTIAN. Bach would almost certainly have approved of this string quartet arrangement of his famous concerto for violin and oboe (BWV 1060) by John Cooley as he was well known for making arrangements of his own works, according to instrumental resources at his disposal. Bach himself made an arrangement of this piece for two solo harpsichords and string orchestra. It is quite ?notey? but straightforward and accessible technically to reasonably good players as there are no tricky rhythms or high notes.
As well as this Bach concerto arrangement, SJ Music has also published John Cooley?s arrangements of Mozart?s piano duets K497 and K521 for piano trio and piano quartet respectively, Bach?s organ Passacaglia and Fugue for string quartet, and one of Purcell?s trio sonatas for string trio. / Date parution : 2022-03-16/ Répertoire / Quatuor à Cordes
22.31 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violin and Piano Barenreiter
for Violin Viola and Orchestra-There is no reference to the origin occasion or...(+)
for Violin Viola and Orchestra-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
12.50 GBP - Sold by Musicroom UK |
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| Passacaglia and Fugue,
BWV 582 (BACH JOHANN
SEBASTIAN) String Quartet: 2 violins, viola,
cello [Sheet music] SJ Music
Par BACH JOHANN SEBASTIAN. Bach would almost certainly have approved of this arr...(+)
Par BACH JOHANN SEBASTIAN. Bach would almost certainly have approved of this arrangement of his organ work (BWV 582) for string quartet by John Cooley, as it conveniently has four contrapuntal parts, and he was well known for making arrangements of his own works, according to instrumental resources at his disposal. Moreover, the parts mostly fit well within the ranges of violin, viola and cello, although notes have been raised by an octave in a few places. This quartet version is therefore simply the four parts written out separately, following Bach?s original version note for note. It is quite ?notey? but straightforward and accessible technically to reasonably good players as there are no tricky rhythms or high notes.
As well as this organ piece arrangement, SJ Music has also published John Cooley?s arrangements of Mozart?s piano duets K497 and K521 for piano trio and piano quartet respectively, Bach?s concerto for violin and oboe for string quartet, and one of Purcell?s trio sonatas for string trio. / Date parution : 2022-03-16/ Répertoire / Quatuor à Cordes
22.31 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Johann Sebastian Bach:
Quartet In C Minor:
String Quartet: Score and
Parts String Quartet: 2 violins, viola,
cello [Sheet music] S J Music
From Concerto For Violin and Oboe-This excellent String Quartet arrangement of B...(+)
From Concerto For Violin and Oboe-This excellent String Quartet arrangement of Bach's much-loved concerto for Violin and Oboe is straightforward and accessible technically to reasonably good players as there are no tricky rhythms or high notes. SJ Music has also published John Cooley's arrangements of Mozart's Piano duets K497 and K521 for Piano trio (T1988-4) and Piano quartet (Q1995-2) respectively Bach's Organ Passacaglia and Fugue for String Quartet (Q2001-1) and one of Purcell's trio sonatas for string trio.(T2005-1)
14.95 GBP - Sold by Musicroom UK |
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| John Corigliano: Wedding
Song: Medium Voice: Vocal
Work [Vocal Score] Schirmer
Medium Voice Organ Guitar and a melody instrument-John Corigliano (b. 1938) is...(+)
Medium Voice Organ Guitar and a melody instrument-John Corigliano (b. 1938) is an American composer. Wedding Song was originally written in 1971 for Oboe Voice and Organ for an oboist friend of the composer. It has been arranged for any melody instrument (Flute Oboe Clarinet Trumpet Violin etc.) medium Voice and either Guitar Organ or any other keyboard instrument. The lyrics were intended to be taken from a text by Khalil Gibran but when Gibran’s estate refused permission the American playwright editor and teacher William M. Hoffman (b. 1939) was asked to create a new text.
16.99 GBP - Sold by Musicroom UK |
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| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violin, Viola and Orchestra Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
20.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violin, Viola and Orchestra [Score] Barenreiter
E flat major-There is no reference to the origin occasion or a performance of t...(+)
E flat major-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
42.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| C. Klomp: Organ Plus One
C(Bes/Es/F): Organ: Score
and Parts Solo instrument and Organ Barenreiter
Organ score with solo parts In C B-Flat E-Flat F.The series ?Organ Plus One? ...(+)
Organ score with solo parts In C B-Flat E-Flat F.The series ?Organ Plus One? contains pieces which are freely-composed or based on hymn tunes both original works as well as arrangements.The editions include solo parts in C Bb Eb and F which can be played by Violin Flute Oboe Clarinet Trumpet and Horn in F. The range of the solo instrument parts is in the middle register making this series particularly appealing to non-professional church musicians and instrumentalists.The hallmark of this edition flexible instrumentation with easy playability ensures that the pieces can easily be tackled and are fun to play for church services musical evenings and small concerts. Idiomatic instrumental arrangements and the stylistic variety of the pieces guarantee success for both organists and instrumentalists.The contents of the volumes correspond to the seasons of the church year:- Advent/Christmas- Passion/Easter- Epiphany/Whitsun/Pentecost- Death and Eternity/Funerals- Praise and Thanks- Divine Service- Communion- Special Services (baptisms/weddings)
24.50 GBP - Sold by Musicroom UK |
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| Organ Plus One: Score and
Parts Solo instrument and Organ Barenreiter
This series in which several volumes have been published has been developed spe...(+)
This series in which several volumes have been published has been developed specifically for amateur church musicians and instrumentalists and is well suited for use in liturgical services or small-scale concerts. Idiomatic instrumental arrangements and the stylistic variety of selected pieces offer organists and instrumentalists fast and impressive results. Included are pieces that are freely-composed or based on chorales both original works and arrangements.The editions include solo parts for instruments in C B-flat E-flat and F which can be played by violin flute oboe clarinet trumpet and horn in F. The range of the solo parts is in the middle register.The contents of the volumes correspond to the season of the church year.Advent / Christmas • Passion / Easter • Epiphany / Whitsun / Pentacost • Death and Eternity / Funeral Service • Praise and Thanks • Divine Service • Communion
24.50 GBP - Sold by Musicroom UK |
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| C. Klomp: Organ Plus One
C(Bes/Es/F): Organ: Score
and Parts Solo instrument and Organ [Sheet music] Barenreiter
The series ORGAN PLUS ONE contains pieces which are freely-composed or based on ...(+)
The series ORGAN PLUS ONE contains pieces which are freely-composed or based on hymn tunes both original works as well as arrangements. The editions include solo parts in C Bb Eb and F which can be played by violin flute oboe clarinet trumpet and horn in F. The range of the solo instrument parts is in the middle register making this series particularly appealing to non-professional church musicians and instrumentalists. The hallmark of this edition flexible instrumentation with easy playability ensures that the pieces can easily be tackled and fun to play for church services musical evenings and small concerts. Idiomatic instrumentalarrangements and the stylistic variety of the pieces guarantee instant success for both organists and instrumentalists. The contents of the volumes correspond to the seasons of the church year:Advent / Christmas Passion / EasterEpiphany / Whitsun / PentecostDeath and Eternity / FuneralsPraise and ThanksDivine ServiceCommunionSpecial Services (baptisms / weddings)The complete series will comprise eight volumes.
24.50 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Concerto For Harpsichord
In G Minor: Harpsichord:
Score Harpsichord and Strings Barenreiter
G minor BWV 1058-In early 1729 Bach became director of the so-called »Scottish ...(+)
G minor BWV 1058-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor BWV 1058 is the last complete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. Ms. Bach 234). However it only came to occupy this position later when the manuscript wasbound. It stands at the very outset of the genesis of this group of works and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this case the original model the Concerto for Violin and Strings in A minor (BWV 1041) has survived thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score & parts (BA5230) two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
17.00 GBP - Sold by Musicroom UK |
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| More Violin Fun (GOEDHART
DINIE) Violin [Sheet music + Audio access] - Beginner De Haske Publications
15 Easy Violin Pieces for the Second Year. Par GOEDHART DINIE. Le recueil More V...(+)
15 Easy Violin Pieces for the Second Year. Par GOEDHART DINIE. Le recueil More Violin Fun est la suite de Violin Fun. Il contient des pièces faciles pour la deuxième année de violon. Tout comme dans la première partie, l?accompagnement disponible en ligne au format MP3 est joué par un véritable orchestre. La plupart des morceaux mettent un instrument de musique en valeur dans l?accompagnement : selon les morceaux, on peut entendre, par exemple, plus particulièrement un violoncelle, une flûte, etc. Les titres et les nombreuses illustrations de ce recueil vous indiquent les instruments correspondant à chaque pièce. / Date parution : 2023-06-01/ Recueil / Violon
23.65 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violon, Viole Et Orchestre Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the “Symphonie concertante” his special attention. On April 5 1778 he wrote to his father: “Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon”.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned “sinfonie concertante” in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart’s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score & parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
6.50 GBP - Sold by Musicroom UK |
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| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin: Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the “Symphonie concertante” his special attention. On April 5 1778 he wrote to his father: “Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon”.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned “sinfonie concertante” in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart’s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score & parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
25.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violon, Viole Et Orchestre Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the “Symphonie concertante” his special attention. On April 5 1778 he wrote to his father: “Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon”.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned “sinfonie concertante” in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart’s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score & parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
6.50 GBP - Sold by Musicroom UK |
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| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violon, Viole Et Orchestre Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the “Symphonie concertante” his special attention. On April 5 1778 he wrote to his father: “Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon”.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned “sinfonie concertante” in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart’s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score & parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
5.50 GBP - Sold by Musicroom UK |
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| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violon, Viole Et Orchestre Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the “Symphonie concertante” his special attention. On April 5 1778 he wrote to his father: “Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon”.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned “sinfonie concertante” in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart’s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score & parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
6.50 GBP - Sold by Musicroom UK |
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| John Tavener: Fall And
Resurrection: Ensemble:
Score [Sheet music] Chester
Fall and Resurrection tries to encompass in brief glimpses the events which ha...(+)
Fall and Resurrection tries to encompass in brief glimpses the events which have taken place since the beginning of time and before time. The work begins in total silence in the Paradise of God. This work should ideallybe performed in a building with a large acoustic. This work is dedicated to HRH The Prince of Wales. Commissioned by Judith and Nicholas Goodison. First performance on 4th January 2000 at St.Pauls Cathedral London. Scored for 2 piccolos 2 kavals (or alto flutes) 4 recorders 2 oboes soprano sax alto sax 2 bassoons rams-horn trumpet 2 horns in F 2 piccolo trumpets in B flat 2 tenor trombones 2 bass trombones 2 sets of timpani percussion guitar synthesizer grand organ solo soprano solo countertenor solo bass-baritone SATB chorus 8 violins 2 cellos 6 double basses.
54.99 GBP - Sold by Musicroom UK |
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